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WWW.MY-SUBS.CO

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And now, a short introduction
from the producers' legal representative,

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Mr Abe Appenheimer.

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Hello, and welcome
to this documentary

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containing new
and exclusive interviews

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with the five surviving members
of Monty Python.

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The producers wish to make it clear that
any views or opinions expressed herein

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are those of the individuals speaking
and hold no truth whatsoever.

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Pursuant, therefore, to clause 4.6

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of the Broadcasting,
Video, Television Act, 1989,

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subsection 4, 3 and 2, clause...

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..subject to clause 4.123,

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no viewer or watcher may copy, repeat,
impersonate, mime,

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either contextually
or noncontextually,

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any material whatsoever
in any public place,

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such as a street, pub, club,
hotel, oil rig, Baptist church...

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Sorry

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We are so bleeding sorry

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What happened to that last singer

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Well, she's been through the wringer

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From singing this bloody song

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Which just goes on and on

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So l thought l'd have a go at it

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Just for the hell of it

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And it sounded so fabulous...

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..you know, they should've picked me
to sing it originally.

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Mind you, l was only 12.

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Still, it's Python

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Sod it!

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We hadn't finished.

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We still had
The Meaning Of Life to do,

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but we had had the success of Brian.

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lt was a big hit in our terms.

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The Hollywood Bowl
seemed such an outrageous thing to do,

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Monty Python Live
At The Hollywood Bowl.

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l think we did three or four nights.

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Welcome to the
Ronald Reagan Memorial Bowl...

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..here in the pretty little LA suburb
of Hollywood.

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Well, we're about to witness
all-in wrestling,

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brought to you tonight, ladies
and gentlemen, by the makers of Scum.

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The world's first ever
combined hair oil, foot ointment

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and salad dressing.

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And the makers of Titan,
the novelty nuclear missile.

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You'll never know
when it will go off.

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They were some
of the best Python days,

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they were wonderful.

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For me, l would say
the pinnacle of my career.

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lt was just so exciting.

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lt was just a great time
in everybody's life.

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There was no pressure.

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We'd honed the show down
by being on the road all those times,

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so we knew what we were doing.

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And the audiences
were just there to have a great time.

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They had a great time.
That's what they did.

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They came along to enjoy themselves
and we couldn't stop them.

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We were evicted
from our hole in the ground.

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We had to go and live in a lake.

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You were lucky to have a lake.

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There were a 150 of us living in
a shoebox in the middle of the road.

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- Cardboard box?
- Aye.

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You were lucky.

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We lived for three months
in a rolled-up newspaper in a septic tank.

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Used to have to get up at six o'clock
and clean the newspaper,

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go to work down the mill,

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1 4 hours a day, week in, week out,
for sixpence a week!

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And when we got home, our dad would
thrash us to sleep with his belt.

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Luxury.

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People there knew exactly
what the Pythons were about.

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lt was absolutely
wonderful to see, you know,

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John Cleese coming down the
Hollywood Bowl steps with the albatross.

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l mean, people were going mad.

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What flavour is it?

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Seagull-cicle.

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l'll have a Wall's.

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The Hollywood Bowl was very much
sort of an audience participation show,

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cos everybody was partying.

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Albatross!

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You're not supposed
to be smoking that.

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ln the albatross sketch,
l had to walk out into the audience,

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by the time l got back on stage,
l was getting high.

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l didn't smoke so it was like,
you know, a few puffs...

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lf you're walking through
the audience of marijuana smoke

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it was like...
lt went straight to my head.

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lt was very surreal.

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These people were having drinks

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and smoking naughty things,
judging from what Eric said on stage.

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Hold it. l see some of these Bruces
are in a playful mood tonight. Bruce?

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Some of the ones that
don't have straws up their nose.

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Anyway...

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The Hollywood Bowl was
an extraordinary kind of experience.

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We were all sitting up on the roof
of the hotel, the L'Ermitage,

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there was a swimming pool up there
and a Jacuzzi.

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We were sipping cool drinks.

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They were talking about doing
Sit On My Face and, you know,

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for some reason l said,

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''Why don't you do it as a barbershop quartet
with the long aprons?''

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Sit on my face
and tell me that you love me

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l'll sit on your face
and tell you l love you too

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l love to hear you moralise

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When l'm between your thighs
you blow me away

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''And when you turn round you can have
bare bums?'' thinking they'll never do it.

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Life can be fine if we both sixty-nine

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lf we sit on our faces
in all sorts of places and play

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Till we're blown away!

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And, yeah, they did.

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lt was strange.

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lt was such a large venue
to see the Pythons,

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these little specks down on the stage,
if you stood at the back.

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lt was terrific.

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Good evening.

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Tonight on World Forum, we are deeply
privileged to have with us Karl Marx,

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the founder of modern socialism and author
of the Communist Manifesto.

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Vladimir llyich Ulyanov,
better known to the world as Lenin,

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leader of the Russian revolution, writer,
statesman and father of modern...

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lt was terrific.
l think they had a lot of fun,

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and of course every Hollywood star
came out to see them.

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Yoko came, John Lennon came,
and every night you'd look around

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and there were these
huge stars just knocking about.

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lt was like you'd died
and gone to entertainment heaven.

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lt was just fantastic,
absolutely fantastic.

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Steve Martin also threw a party
for them at his house, you know.

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That's the thing you do in Hollywood,
someone hosts a party for you.

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And the first question is for you, Karl Marx.

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The Hammers.

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The Hammers is the nickname
of what English football team?

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The Hammers?

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No? Well, bad luck, Karl,
it is in fact West Ham United.

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We took numerous curtain calls,
we just went on.

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l mean, we took as many
as we felt like taking.

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Twenty, thirty, whatever, whatever.

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We'd just make them up
as we went along, and had such fun.

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Eventually, we'd have enough
and go for a drink,

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and we'd be downstairs
and the audience is still there,

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saying, ''More, more, more.''

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And that's when they had to bring down
the big sign saying, ''Piss off'.

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- Hey, look. Howard's being eaten.
- ls he?

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Makes you think, doesn't it?

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- l mean, what's it all about?
- Beats me.

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Why are we here?

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What's life all about?

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ls God really real?

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Or is there some doubt?

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Just after Life Of Brian came out,

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Denis O'Brien, who was
our business manager, very briefly,

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told us that if we made another film
straight away,

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we'd never have to work again.

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And we all looked at each other
and thought, ''That is not a bad offer.''

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The actual...
The birth pangs of Meaning Of Life

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were much more difficult
than they had been, l think,

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for Holy Grail or Life Of Brian.

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By then l was doing my own films

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and had less and less desire to go back
and work within the group.

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Having reached the grand old age
of whatever it was,

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l mean, l was well in my 40s,

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l didn't want to be in the position
of being outvoted on material.

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l'd done a railway documentary,

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was beginning to think of writing
a film called The Missionary.

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ln a sense, the sort of the...

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the end of Python
was sort of visible

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before we actually got shooting
Meaning Of Life.

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Except that l just love the group,
l mean, so, OK, we'll do it.

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But there was no consensus about
what was the film going to be?

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And so we started to write a movie

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before we were really
in the right state of mind.

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And we were always pushing something
and trying to find a unifying thread.

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And when we went off and wrote,
as we did for about ten days,

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then we'd come back,
gather together and read it all out,

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we were always hoping that
somebody would provide a framework.

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l've got a notebook
which has got World War 3 written in it

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as a possible idea for a film.

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We were going to have
advertisement all through the film,

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warriors, soldiers with lots of ads
like racing drivers,

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and we could actually finance
the movie that way.

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We were even talking about
doing commercials within the movie,

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so we'd get the money
from all these products.

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Graham and l wrote a thing
about a mad ayatollah,

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and it was not included,

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and l thought it was a mistake
that it was not included,

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but it probably explains
why l'm still here.

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There would've been a fatwa on Graham
and me, and probably the whole group.

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lt was about him fulminating against
all the sins of Western civilisation,

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like toilet paper.

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And there was a scene
where the mad ayatollah's men

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had caught some British adventurers
of the Michael Palin kind,

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the sort of 1880s, you know.

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And there was a very funny scene

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when they were all
going to be tortured to death,

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and the regimental sergeant major
went up to the colonel

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and asked for permission to panic,

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and the colonel
refused him permission.

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He said, ''lf we panic just a little, sir,
just a couple of minutes, sir.

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''lt would raise the men's spirits,
if they were allowed to panic, sir.''

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l thought
there was very funny stuff there.

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l think they were really good ideas
that, for whatever reason,

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didn't connect with everybody else

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and so the thing didn't ever
get that tidy spine.

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We eventually ended up
with a screenplay

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that was kind of circular.

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lt was a little bit based on
one of Bunuel's films

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where it goes into dreams
and recurring dreams

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and you come out of the dream
and you're back in reality.

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You think you are, then it turns out
you're in a dream still. Very circular.

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l wonder where that fish has gone.

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You did love it so,
you looked after it like a son.

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And it went wherever l did go.

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- ls it in the cupboard?
- Yes, yes.

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Wouldn't you like to know?
lt was a lovely little fish.

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And it went wherever l did go.

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lt's behind the sofa!

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Where can that fish be?

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Have you thought of
the drawers in the bureau?

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lt is a most elusive fish.

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And it went wherever l did go.

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We couldn't get a central theme,
we couldn't get a theme.

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We tried it, where there were
great long endless sequences written,

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amazingly long sort of periods of writing
and then coming back,

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giving ourselves six months off
and coming back.

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lt really was really very, very difficult.

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And so we thought,
''Well, let's do the thing we did.

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''Let's go to the West lndies.''

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And so we booked a house
in St Ann's Bay in Jamaica.

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On the way out there,
l read the script on the plane.

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l thought, ''This isn't working at all,
it just doesn't work.''

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And l think possibly there was again

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a strain on the writing relationships.

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l think that Graham and John

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were not writing
as consistently magnificent stuff

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as they had done in the past.

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They were beginning to write stuff

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that wasn't working as well
as it perhaps ought to,

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and l know they never liked that.

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Terry and l
were used to writing tons of stuff,

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about 50 of which
was just binned early on,

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but for John and Graham,
l think their failure rate

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was something they didn't like to...

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they didn't like to admit a failure
and they were finding it difficult.

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l woke up with this sinking feeling.

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You know, l hadn't experienced it
since l did exams at school,

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or something like that, thinking,
''l don't want to go through this.''

239
00:14:49,607 --> 00:14:54,556
And l remember after about four days,
l suggested quite seriously,

240
00:14:54,607 --> 00:14:59,044
l said, ''l suggest we just enjoy the holiday,
don't work any more,

241
00:14:59,087 --> 00:15:01,965
''go back to England
and say we couldn't put it together.

242
00:15:02,007 --> 00:15:04,726
''What a shame, we worked hard,
but it didn't work.''

243
00:15:04,767 --> 00:15:07,725
And l almost won the day.

244
00:15:07,767 --> 00:15:11,237
And then Terry Jones came down
the next morning and said,

245
00:15:11,287 --> 00:15:13,642
''Well, yeah, you know,
l've been thinking.

246
00:15:13,687 --> 00:15:15,086
''l really, really feel...''

247
00:15:15,127 --> 00:15:17,322
l said, ''My suggestion isn't a suggestion,

248
00:15:17,367 --> 00:15:20,962
''it's just we've got 70 minutes
of first-class material,

249
00:15:21,007 --> 00:15:24,602
''all we've got to do is write another
10, 20 minutes and we've got a film.''

250
00:15:24,647 --> 00:15:28,117
And he started to come out with a shape
which he'd come up with,

251
00:15:28,167 --> 00:15:29,646
l think virtually on his own.

252
00:15:29,687 --> 00:15:34,203
Actually, l think l said,
''Let's do it as somebody's life story.''

253
00:15:34,247 --> 00:15:38,286
And then somebody else said,
''Well, it could be anybody's life story.''

254
00:15:38,327 --> 00:15:40,761
Seven Ages Of Man,
l think somebody else said.

255
00:15:40,807 --> 00:15:43,765
And then Eric said,
''We could call it The Meaning Of Life.''

256
00:15:43,807 --> 00:15:46,116
Everyone went, ''Good idea.''
So we did that.

257
00:15:46,167 --> 00:15:50,126
We're trying to put the sketches in
to make some shape and form.

258
00:15:50,167 --> 00:15:54,160
Somehow, l don't know, that sort of got
a buzz going amongst the group

259
00:15:54,207 --> 00:15:57,199
and we decided that's
what it was going to be.

260
00:15:57,247 --> 00:15:59,238
And it was going to be a sketch format.

261
00:15:59,287 --> 00:16:01,357
lt's the meaning of life!

262
00:16:02,247 --> 00:16:06,843
What's the point of all this hoax?

263
00:16:06,887 --> 00:16:10,596
l still thought it was sad we were doing
a sketch movie at that stage,

264
00:16:10,647 --> 00:16:13,798
because what gets interesting
as you get into this business,

265
00:16:13,847 --> 00:16:15,758
is 90 minutes.

266
00:16:15,807 --> 00:16:20,164
The story at 90 minutes is the most
interesting thing in show business.

267
00:16:22,527 --> 00:16:27,362
ls life just a game
where we make up the rules?

268
00:16:27,407 --> 00:16:30,956
John Goldstone and l were responsible
for raising the money,

269
00:16:31,007 --> 00:16:34,522
representing the Jewish side
of the group, you know.

270
00:16:34,567 --> 00:16:37,718
ldle must be a Jewish name
somewhere down the line.

271
00:16:37,767 --> 00:16:40,520
Look at the way he likes the money,
must be Jewish.

272
00:16:40,567 --> 00:16:43,718
By then, because Brian
had been a success,

273
00:16:43,767 --> 00:16:48,283
it was very easy
to get the money for the film.

274
00:16:48,327 --> 00:16:52,639
l mean, the hardest thing of all
was doing Terry Gilliam's short.

275
00:17:01,607 --> 00:17:05,964
Terry G had done this section

276
00:17:06,007 --> 00:17:09,477
that grew, it was originally
meant to be an animated section.

277
00:17:09,527 --> 00:17:11,597
l said, ''Let me make it as a live action.''

278
00:17:11,647 --> 00:17:15,242
And it was agreed that l could,
so l was off doing that.

279
00:17:15,287 --> 00:17:17,721
Gilliam would make
these brilliant cartoons.

280
00:17:17,767 --> 00:17:20,600
And he pinned one up of a building.

281
00:17:20,647 --> 00:17:22,080
lt was just under sail,

282
00:17:22,127 --> 00:17:25,358
and he was clearly drawing all that,
and that was beautiful.

283
00:17:26,007 --> 00:17:28,396
Look to starboard.

284
00:17:32,047 --> 00:17:35,084
There it lay, the prize they sought.

285
00:17:36,447 --> 00:17:38,563
Hard to starboard.

286
00:17:38,607 --> 00:17:41,997
A financial district
swollen with multinationals,

287
00:17:42,047 --> 00:17:47,041
conglomerates,
and fat, bloated merchant banks.

288
00:17:48,087 --> 00:17:50,203
We created a moment
when they're saying,

289
00:17:50,247 --> 00:17:53,319
''You must wear more hats,
what is the meaning of that in life?''

290
00:17:53,367 --> 00:17:57,485
What we've come up with can be reduced to
two fundamental concepts.

291
00:17:57,527 --> 00:18:00,883
One, people are not wearing enough hats.

292
00:18:00,927 --> 00:18:03,361
Two, matter is energy.

293
00:18:03,407 --> 00:18:07,480
ln that moment, in through the window
comes this, you know,

294
00:18:07,527 --> 00:18:09,245
the pirates come in.

295
00:18:09,287 --> 00:18:11,517
That's supposed to be
four to six minutes long,

296
00:18:11,567 --> 00:18:13,239
and then on with the movie.

297
00:18:13,287 --> 00:18:14,720
Well, Gilliam...

298
00:18:15,727 --> 00:18:17,763
who is only happy
when he's shooting

299
00:18:17,807 --> 00:18:20,685
and cannot be stopped by anybody,
not even the Weinsteins,

300
00:18:20,727 --> 00:18:23,036
he has to be forcibly removed
from foreign countries,

301
00:18:23,087 --> 00:18:26,841
put in a Brink's van and driven away,
otherwise he'll still be shooting.

302
00:18:26,887 --> 00:18:28,878
He was in the studio next door.

303
00:18:28,927 --> 00:18:31,361
l remember wandering
into the studio next door

304
00:18:31,407 --> 00:18:35,605
and thinking, ''lt's a huge set!''
lt's bigger than anything we'd ever done.

305
00:18:35,647 --> 00:18:38,366
And Terry's section

306
00:18:38,407 --> 00:18:43,197
took about a million quid
or something like that to do.

307
00:18:43,247 --> 00:18:47,206
lt didn't actually,
it didn't cost that much,

308
00:18:47,247 --> 00:18:49,966
but it was not what anyone was expecting,

309
00:18:50,007 --> 00:18:53,966
and it was going on at the same time
as the rest of the movie was shooting.

310
00:18:54,007 --> 00:19:00,401
Terry said, and l think secretly he may have
always had this as a plan,

311
00:19:00,447 --> 00:19:04,804
he said, ''Well, l've got this idea
that we could do it before the film.

312
00:19:04,847 --> 00:19:06,838
''We do it as a short before the film.''

313
00:19:06,887 --> 00:19:10,323
And then, ''l've actually already shot
a sequence

314
00:19:10,367 --> 00:19:14,645
''where the short
tries to take over the film.''

315
00:19:14,687 --> 00:19:18,077
So we tried it like that,
and of course when we did that,

316
00:19:18,127 --> 00:19:21,517
the Crimson Permanent Assurance
went down like a bomb.

317
00:19:21,567 --> 00:19:22,682
Everybody loved it.

318
00:19:23,447 --> 00:19:26,200
The Crimson Permanent Assurance.

319
00:19:26,247 --> 00:19:30,445
lt had a slightly deleterious effect
on the birth sequence,

320
00:19:30,487 --> 00:19:34,036
because that didn't
quite get the laughs

321
00:19:34,087 --> 00:19:37,443
that it was getting
when it came first,

322
00:19:37,487 --> 00:19:39,796
but l mean, you lose some, you win some.

323
00:19:40,567 --> 00:19:44,321
Part one. The Miracle of Birth.

324
00:19:44,367 --> 00:19:48,201
- Hello, now don't you worry.
- We'll soon have you cured.

325
00:19:48,247 --> 00:19:50,966
Leave it all to us,
you'll never know what hit you.

326
00:19:51,007 --> 00:19:52,406
- Goodbye.
- Goodbye.

327
00:19:52,447 --> 00:19:54,358
- Drips up.
- lnjections.

328
00:19:54,407 --> 00:19:57,399
- Can l put the tube in the baby's head?
- Only if l can do the episiotomy.

329
00:19:57,447 --> 00:19:58,846
There you go. Legs up.

330
00:19:59,607 --> 00:20:01,837
OK. Come in. Come on in, all of you.

331
00:20:01,887 --> 00:20:04,082
That's it, jolly good.
Come on, come on.

332
00:20:04,127 --> 00:20:06,277
Spread around there. Who are you?

333
00:20:06,327 --> 00:20:07,919
- l'm the husband.
- l'm sorry.

334
00:20:07,967 --> 00:20:11,482
Only people involved
are allowed in here.

335
00:20:11,527 --> 00:20:12,676
- Right.
- What do l do?

336
00:20:12,727 --> 00:20:15,116
- Yes?
- What do l do?

337
00:20:15,167 --> 00:20:17,965
Nothing, dear, you're not qualified.

338
00:20:18,007 --> 00:20:20,567
- Leave it to us.
- What's that for?

339
00:20:20,607 --> 00:20:23,679
That's the machine that goes ''ping''.

340
00:20:23,727 --> 00:20:26,685
The Meaning Of Life,
people think about it and they go,

341
00:20:26,727 --> 00:20:31,562
''Yes, it's not so good,'' until you start
mentioning specific sketches.

342
00:20:31,607 --> 00:20:35,156
The mill's closed.
There's no more work.

343
00:20:35,207 --> 00:20:36,765
We're destitute.

344
00:20:38,607 --> 00:20:39,960
Come in, my little loves.

345
00:20:40,007 --> 00:20:43,556
l've got no option but to sell you all
for scientific experiments.

346
00:20:45,807 --> 00:20:49,402
No, that's the way it is, my loves.
Blame the Catholic Church

347
00:20:49,447 --> 00:20:51,881
for not letting me wear
one of those rubber things.

348
00:20:51,927 --> 00:20:54,236
The Every Sperm ls Sacred
musical number

349
00:20:54,287 --> 00:20:58,565
is fantastic and brilliant and still timeless.

350
00:20:58,607 --> 00:21:02,043
Every sperm is useful

351
00:21:02,087 --> 00:21:05,682
Every sperm is fine

352
00:21:05,727 --> 00:21:09,356
God needs everybody's

353
00:21:09,407 --> 00:21:10,886
- Mine
- And mine

354
00:21:10,927 --> 00:21:12,599
And mine

355
00:21:12,647 --> 00:21:18,358
Making a religious or socially political point
about sperm being sacred,

356
00:21:18,407 --> 00:21:20,967
then it goes to the Protestant saying,
''We can have fun,

357
00:21:21,007 --> 00:21:24,158
''they're in the wrong place but we're
having fun cos we're not having sex.

358
00:21:24,207 --> 00:21:27,244
''But it would be protected sex
if we were having sex.''

359
00:21:27,287 --> 00:21:30,245
l can wear whatever l want
on my John Thomas.

360
00:21:30,287 --> 00:21:34,041
And Protestantism doesn't stop
at the simple condom, oh, no.

361
00:21:34,087 --> 00:21:35,918
l can wear French Ticklers
if l want.

362
00:21:35,967 --> 00:21:37,559
- You what?
- French Ticklers.

363
00:21:37,607 --> 00:21:39,677
Black Mambos, Crocodile Ribs.

364
00:21:39,727 --> 00:21:42,446
Sheaths that are designed
not only to protect,

365
00:21:42,487 --> 00:21:45,843
but also to enhance
the stimulation of sexual congress.

366
00:21:45,887 --> 00:21:47,878
- Have you got one?
- Have l got one?

367
00:21:47,927 --> 00:21:50,646
Well, no, but l can go down the road
any time l want

368
00:21:50,687 --> 00:21:52,917
and walk into Harry's
and hold my head up high

369
00:21:52,967 --> 00:21:54,764
and say in a loud, steady voice,

370
00:21:54,807 --> 00:21:57,275
''Harry, l want you
to sell me a condom.

371
00:21:57,327 --> 00:22:01,081
''ln fact, today l'll have a French Tickler,
for l am a Protestant.''

372
00:22:01,127 --> 00:22:05,040
The guys... The liver transplant scene,
it's one of the most...

373
00:22:05,087 --> 00:22:08,238
l remember as a horror fan
being slightly sickened by that.

374
00:22:08,287 --> 00:22:11,006
Hello. Can we have your liver?

375
00:22:11,047 --> 00:22:13,800
- What?
- Your liver.

376
00:22:13,847 --> 00:22:17,078
lt's a large glandular organ
in your abdomen.

377
00:22:18,727 --> 00:22:21,241
You know, it's reddish brown,
it's sort of...

378
00:22:21,287 --> 00:22:25,075
Yeah, yeah, l know what it is,
but l'm using it.

379
00:22:27,407 --> 00:22:30,126
Come on, sir, don't muck us about.

380
00:22:30,167 --> 00:22:32,840
- No. Get off!
- Hello.

381
00:22:35,007 --> 00:22:37,441
- What's this, then?
- A liver donor's card.

382
00:22:37,487 --> 00:22:39,205
- Need we say more?
- No.

383
00:22:39,247 --> 00:22:43,286
Listen. l can't give it you now.
lt says, ''in the event of death''.

384
00:22:44,447 --> 00:22:47,962
No one has ever had their liver
taken out by us and survived.

385
00:22:48,007 --> 00:22:50,282
Just lie there, sir,
it won't take a minute.

386
00:22:53,687 --> 00:22:56,679
Whether it's John Cleese,
the housemaster,

387
00:22:56,727 --> 00:22:59,366
having sex lessons
involving his wife...

388
00:22:59,407 --> 00:23:02,524
We'll take the foreplay as read,
if you don't mind, dear.

389
00:23:02,567 --> 00:23:03,795
Of course not, Humphrey.

390
00:23:03,847 --> 00:23:08,238
So, the man starts by entering,
or mounting, his good lady wife

391
00:23:08,287 --> 00:23:10,357
in the standard way.

392
00:23:10,407 --> 00:23:15,162
The penis is now, as you will observe,
more or less fully erect.

393
00:23:15,207 --> 00:23:17,437
There we are. That's better.

394
00:23:17,487 --> 00:23:21,321
Death calling on a bunch of people
having a dinner party...

395
00:23:21,367 --> 00:23:25,076
- Can l ask you a question?
- What?

396
00:23:25,127 --> 00:23:28,005
How can we
all have died at the same time?

397
00:23:40,087 --> 00:23:43,079
The salmon mousse.

398
00:23:43,807 --> 00:23:47,004
Darling, you didn't
use canned salmon, did you?

399
00:23:47,047 --> 00:23:50,517
l'm most dreadfully embarrassed.

400
00:23:50,567 --> 00:23:52,603
Mr Creosote.

401
00:23:52,647 --> 00:23:57,323
One of the funniest scenes
in movie history, l would say.

402
00:23:58,087 --> 00:24:00,396
Good afternoon, sir,
and how are we today?

403
00:24:00,447 --> 00:24:01,596
- Better.
- Better?

404
00:24:01,647 --> 00:24:04,559
Better get a bucket,
l'm going to throw up.

405
00:24:04,607 --> 00:24:07,599
Well, l didn't enjoy playing
Mr Creosote very much.

406
00:24:07,647 --> 00:24:11,879
Originally, l wanted Terry Gilliam
to do Mr Creosote,

407
00:24:11,927 --> 00:24:16,045
but he said, ''No, no, no.
You ought to do it.''

408
00:24:16,087 --> 00:24:18,521
l think he realised
how much make-up there was.

409
00:24:18,567 --> 00:24:20,956
There was three hours of make-up,

410
00:24:21,007 --> 00:24:23,567
you had to put this latex piece on.

411
00:24:34,727 --> 00:24:36,479
l haven't finished.

412
00:24:37,607 --> 00:24:39,563
A thousand pardons, monsieur.

413
00:24:39,607 --> 00:24:41,518
Now, this afternoon we have...

414
00:24:41,567 --> 00:24:45,526
Disgusting scene. Disgusting to do.

415
00:24:45,567 --> 00:24:48,035
And l felt very sorry
for everyone on the set.

416
00:24:48,087 --> 00:24:52,000
And finally, monsieur,
a wafer-thin mint.

417
00:24:52,687 --> 00:24:55,838
Oh, sir, it's only a tiny, little, thin one.

418
00:24:55,887 --> 00:24:57,639
No, fuck off! l'm full.

419
00:24:57,687 --> 00:24:59,166
Oh, sir.

420
00:25:01,087 --> 00:25:03,157
lt's only wafer thin.

421
00:25:04,087 --> 00:25:08,080
l couldn't eat another thing,
l'm absolutely stuffed.

422
00:25:08,127 --> 00:25:09,162
Bugger off.

423
00:25:09,207 --> 00:25:12,085
Sir, just... just one.

424
00:25:14,847 --> 00:25:17,998
- All right. Just one.
- Just the one.

425
00:25:50,327 --> 00:25:53,239
l had a different structure
for the film at the end.

426
00:25:53,287 --> 00:25:57,599
l thought we had to get out of the film
as quickly as possible after Creosote.

427
00:25:57,647 --> 00:26:00,844
l wanted to go Creosote,
straight into Death,

428
00:26:00,887 --> 00:26:02,684
and do Christmas in heaven,

429
00:26:02,727 --> 00:26:06,083
and then go to the reprise of Creosote,

430
00:26:06,127 --> 00:26:10,518
with the cleaning lady
and the waiter going and saying,

431
00:26:10,567 --> 00:26:13,127
''Follow me and l'll show you
the meaning of life.''

432
00:26:13,167 --> 00:26:14,646
Come with me.

433
00:26:15,087 --> 00:26:18,875
- l was saying that...
- Come on.

434
00:26:19,287 --> 00:26:22,040
You know, and it goes on and on
and on and on.

435
00:26:22,087 --> 00:26:24,157
And at the end he says,
''Now fuck off.''

436
00:26:24,207 --> 00:26:25,606
Fuck off.

437
00:26:27,607 --> 00:26:29,279
Don't come following me!

438
00:26:32,087 --> 00:26:34,203
That should have
been the end of the film.

439
00:26:34,247 --> 00:26:36,442
Had we placed it at the end,
in the credits,

440
00:26:36,487 --> 00:26:39,285
l think the film would have been
a better structured film

441
00:26:39,327 --> 00:26:42,797
and people would remember
how good Creosote was, you know,

442
00:26:42,847 --> 00:26:45,520
that you finish on a real big high,
you know.

443
00:26:45,567 --> 00:26:48,240
l feel that life's a game

444
00:26:48,287 --> 00:26:51,324
You sometimes win or lose

445
00:26:51,367 --> 00:26:54,279
And though l may be down right now

446
00:26:54,327 --> 00:26:56,682
At least l don't work for Jews

447
00:27:01,087 --> 00:27:03,521
l'm very proud
that it's still offensive.

448
00:27:03,567 --> 00:27:06,001
lf you look at it now,
it's still pretty gross.

449
00:27:06,047 --> 00:27:10,837
l mean, the projectile vomiting, blood,
you know.

450
00:27:10,887 --> 00:27:13,447
''Can we have your liver, please?''
lt's still offensive.

451
00:27:13,487 --> 00:27:15,921
This man is about to die.

452
00:27:15,967 --> 00:27:18,720
ln a few moments now
he will be killed,

453
00:27:18,767 --> 00:27:21,361
for Arthur Jarrett
is a convicted criminal

454
00:27:21,407 --> 00:27:25,286
who has been allowed to choose
the manner of his own execution.

455
00:27:28,967 --> 00:27:31,037
There he is!

456
00:27:31,087 --> 00:27:32,315
lt won a prize in Cannes,

457
00:27:32,367 --> 00:27:35,200
so it must be a good film,
it must be a great film.

458
00:27:35,247 --> 00:27:38,478
Henry Jaglom, film director,
when he saw it in Cannes,

459
00:27:38,527 --> 00:27:40,597
said it was the best thing
Python had ever done.

460
00:27:40,647 --> 00:27:44,686
l said, ''No, there's great bits in there,
but there's crap as well.''

461
00:27:44,727 --> 00:27:48,845
He said, ''No, that's why it's great,
because the crap balances the greatness.''

462
00:27:48,887 --> 00:27:50,286
Blah, blah, he would go on.

463
00:27:50,327 --> 00:27:53,603
l do think some of the material
in there is the best we've done.

464
00:27:53,647 --> 00:27:56,002
lt's closer to the television shows
themselves

465
00:27:56,047 --> 00:27:57,844
with the same kind of balance

466
00:27:57,887 --> 00:28:00,720
between the really wonderful stuff
and the crap.

467
00:28:36,327 --> 00:28:40,286
Graham Chapman, one of the founder
members of the Monty Python team,

468
00:28:40,327 --> 00:28:42,682
has died at the age of 48.

469
00:28:42,727 --> 00:28:44,399
He'd been suffering from cancer.

470
00:28:45,887 --> 00:28:48,765
None of the Pythons
really knew how ill he was

471
00:28:48,807 --> 00:28:51,765
until about halfway through his treatment.

472
00:28:52,567 --> 00:28:55,320
He looked terrible.
He kept telling us he's fine.

473
00:28:55,367 --> 00:28:57,835
''l am a doctor, it's all right.''

474
00:28:57,887 --> 00:28:59,718
''No, Graham, you look terrible.''

475
00:28:59,767 --> 00:29:03,965
l mean, whenever we got together,
he just seemed to be worse and worse.

476
00:29:04,007 --> 00:29:08,956
And yet he was so...lively,
''Yes, it's going to be fine.

477
00:29:09,007 --> 00:29:11,237
''l know the pipe
gave me cancer in my throat,

478
00:29:11,287 --> 00:29:13,801
''but it's going to be just fine,
l'm a doctor.''

479
00:29:13,847 --> 00:29:16,645
And l remember
talking to his brother, John,

480
00:29:16,687 --> 00:29:20,282
and saying to John
that he seemed so optimistic.

481
00:29:20,327 --> 00:29:23,285
John said that he thought
that was just an act,

482
00:29:23,327 --> 00:29:27,878
that Gray, as a doctor, knew how serious
it was from the beginning.

483
00:29:29,007 --> 00:29:34,957
Terry Jones and Alison
came to the hospital

484
00:29:35,007 --> 00:29:38,920
at something like ten at night,

485
00:29:38,967 --> 00:29:41,527
and all was quiet on the ward.

486
00:29:41,567 --> 00:29:46,322
And they stayed
with Graham and myself,

487
00:29:47,767 --> 00:29:50,804
talking for a long time.

488
00:29:50,847 --> 00:29:53,759
And that was wonderful.

489
00:29:53,807 --> 00:29:59,245
And then later, of course, the rest
of the crowd as the day unfolded.

490
00:29:59,287 --> 00:30:04,361
The next day became
a very long and protracted affair

491
00:30:04,407 --> 00:30:05,886
with all sorts of people.

492
00:30:05,927 --> 00:30:09,476
l didn't go down, l was, you know...

493
00:30:09,527 --> 00:30:13,486
l remember writing that song,
Life Will Get You ln The End, a lot.

494
00:30:15,367 --> 00:30:18,484
But l never finished it
because it was kind of sad.

495
00:30:23,167 --> 00:30:27,046
l could hear him whispering in my ear
last night as l was writing this.

496
00:30:27,087 --> 00:30:28,998
''All right, Cleese,'' he was saying.

497
00:30:29,047 --> 00:30:32,164
''You're very proud
of being the very first person ever

498
00:30:32,207 --> 00:30:35,324
''to say 'shit' on British television.

499
00:30:35,367 --> 00:30:38,916
''lf this service is really for me,

500
00:30:38,967 --> 00:30:43,518
''just for starters, l want you to become
the first person ever

501
00:30:43,567 --> 00:30:45,478
''at a British memorial service

502
00:30:45,527 --> 00:30:47,677
''to say 'fuck'.''

503
00:30:49,927 --> 00:30:52,043
The memorial service
was extraordinary

504
00:30:52,087 --> 00:30:55,523
because for some reason,
for some reason,

505
00:30:55,567 --> 00:30:59,276
we lost all of our Englishness,
or should l say Britishness.

506
00:30:59,327 --> 00:31:01,079
The emotion was flowing

507
00:31:01,127 --> 00:31:04,403
as though it was flowing through us
without touching the sides.

508
00:31:04,447 --> 00:31:06,438
Graham Chapman,

509
00:31:06,487 --> 00:31:11,356
co-author of The Parrot Sketch,
is no more.

510
00:31:11,407 --> 00:31:13,602
He has ceased to be.

511
00:31:13,647 --> 00:31:16,480
Bereft of life. He rests in peace.

512
00:31:17,207 --> 00:31:20,279
He's kicked the bucket,
hopped the twig,

513
00:31:20,327 --> 00:31:24,525
bit the dust, snuffed it,
breathed his last,

514
00:31:24,567 --> 00:31:29,641
and gone to meet the great
Head of Light Entertainment in the sky.

515
00:31:30,647 --> 00:31:35,277
And l guess we're all thinking
how sad it is that a man of such talent,

516
00:31:35,327 --> 00:31:40,526
of such capability for kindness,

517
00:31:40,567 --> 00:31:43,035
of such unusual intelligence...

518
00:31:43,727 --> 00:31:46,241
should now, so suddenly,
be spirited away

519
00:31:46,287 --> 00:31:47,879
at the age of only 48...

520
00:31:48,887 --> 00:31:52,596
before he'd achieved many of the things
of which he was capable.

521
00:31:53,527 --> 00:31:56,280
And before he'd had enough fun.

522
00:31:57,887 --> 00:32:01,596
Well, l feel
that l should say ''nonsense''.

523
00:32:01,647 --> 00:32:05,162
Good riddance to him,
the freeloading bastard, l hope he fries.

524
00:32:06,247 --> 00:32:11,241
Everybody treated Graham properly,
with disrespect, basically.

525
00:32:11,287 --> 00:32:14,563
People were howling with laughter
and then in tears ten seconds later

526
00:32:14,607 --> 00:32:16,563
and then howling with laughter again.

527
00:32:16,607 --> 00:32:18,962
lt was kind of the way emotion should flow.

528
00:32:19,007 --> 00:32:21,919
lt really was a celebration,
l love that word,

529
00:32:21,967 --> 00:32:24,481
it was a celebration of him.

530
00:32:24,527 --> 00:32:29,237
And very little reverence
and a lot of laughs, it was good.

531
00:32:29,287 --> 00:32:32,563
Suddenly l found myself
wanting to look back

532
00:32:32,607 --> 00:32:35,565
and celebrate all the things
that we did together.

533
00:32:35,607 --> 00:32:37,598
For Graham was, in many ways,

534
00:32:37,647 --> 00:32:42,118
all the things that we were
most proud of in Monty Python.

535
00:32:42,167 --> 00:32:44,601
Awkward, outrageous, unconventional,

536
00:32:44,647 --> 00:32:47,957
unpredictable, impatient,
and often very angry indeed.

537
00:32:48,007 --> 00:32:50,441
l have to say, honestly,
rarely a day goes by

538
00:32:50,487 --> 00:32:52,796
when l don't at some point
think about Graham

539
00:32:52,847 --> 00:32:57,045
and l can't really believe
that he's no longer with us.

540
00:32:57,087 --> 00:32:59,965
l think, because one
sees the shows so often,

541
00:33:00,007 --> 00:33:04,364
and certainly when you look at something
like Life Of Brian or Holy Grail

542
00:33:04,407 --> 00:33:09,037
you see what a really fine actor
Graham was,

543
00:33:09,087 --> 00:33:12,523
especially on the Holy Grail
when he'd had a few drinks

544
00:33:12,567 --> 00:33:16,526
and he could still turn in
these wonderful performances.

545
00:33:16,567 --> 00:33:20,480
l don't know whether Graham
would have ended up doing King Lear.

546
00:33:20,527 --> 00:33:23,166
l'd love to see it,
or the great sort of tragic roles.

547
00:33:23,207 --> 00:33:24,435
He'd be marvellous.

548
00:33:24,487 --> 00:33:26,478
French person...

549
00:33:27,167 --> 00:33:29,806
today, the blood
of many a valiant knight

550
00:33:29,847 --> 00:33:32,919
shall be avenged in the name of God.

551
00:33:32,967 --> 00:33:37,802
We shall not stop our fight
till each one of you lies dead

552
00:33:37,847 --> 00:33:43,160
and the Holy Grail returns to those
whom God has chosen.

553
00:33:43,207 --> 00:33:46,802
lt was so bizarre that he'd managed...
Which paper was it?

554
00:33:46,847 --> 00:33:49,236
One of the big papers,
he made a lot of money

555
00:33:49,287 --> 00:33:52,563
selling his story that he had kicked
the big C and he was clean.

556
00:33:52,607 --> 00:33:56,122
And then after he got the pay cheque,
he died.

557
00:33:56,167 --> 00:34:00,046
l thought, ''Brilliant, Graham.
That's the way to do it.''

558
00:34:03,687 --> 00:34:07,202
What are Python
going to do ever again as a group?

559
00:34:07,247 --> 00:34:11,001
First, we shall be doing tributes
and memories and programmes

560
00:34:11,047 --> 00:34:14,596
about what it's like to do Python
20 years ago, then 21 years ago,

561
00:34:14,647 --> 00:34:17,241
then maybe 22 or 23 years ago,
we'll skip a year,

562
00:34:17,287 --> 00:34:19,960
then go straight for
the 25th anniversary,

563
00:34:20,007 --> 00:34:23,363
where we'll talk about how it was
creating and doing a comedy show

564
00:34:23,407 --> 00:34:25,125
in the early middle 19th century.

565
00:34:25,167 --> 00:34:28,045
And then it's just
attending each other's funerals.

566
00:34:28,087 --> 00:34:32,956
l think the problem is
we're so scattered over the globe now

567
00:34:33,007 --> 00:34:34,645
that even if the will was there,

568
00:34:34,687 --> 00:34:37,201
l think there'll always
be a flicker of interest,

569
00:34:37,247 --> 00:34:40,159
l think people would say,
''Let's talk about it.''

570
00:34:40,207 --> 00:34:44,166
We even talked about doing another version
of Holy Grail at one point,

571
00:34:44,207 --> 00:34:47,244
and l think it was John
who wasn't interested at that point.

572
00:34:47,287 --> 00:34:50,165
And l think we had worked out
a really nice idea

573
00:34:50,207 --> 00:34:52,767
of doing Grail
as a bunch of middle-aged knights

574
00:34:52,807 --> 00:34:55,685
who have to go on one last crusade.

575
00:34:55,727 --> 00:35:00,642
And we had this fantastic thing
carrying the holy relics of Graham.

576
00:35:00,687 --> 00:35:04,316
And we could use lines from the records
or anything we'd recorded

577
00:35:04,367 --> 00:35:08,326
so he could speak to us and be part of it,
without having to be there.

578
00:35:08,367 --> 00:35:09,641
And we spent a bit of time,

579
00:35:09,687 --> 00:35:13,043
l think that was in Aspen
we were talking about that.

580
00:35:13,087 --> 00:35:16,557
And then everybody said,
''Let's do a show, let's do a show,

581
00:35:16,607 --> 00:35:20,361
''it's the whatever anniversary...''
30th anniversary perhaps coming up.

582
00:35:20,407 --> 00:35:23,604
And l got an offer of like ten million
from some promoter

583
00:35:23,647 --> 00:35:25,877
and we were going
to do TV, you know...

584
00:35:25,927 --> 00:35:30,079
lt was all... l spent a lot of time
with all that boring shit

585
00:35:30,127 --> 00:35:34,837
and then only to find out
that Michael didn't really mean ''yes'',

586
00:35:34,887 --> 00:35:37,401
he was only saying yes to be nice.

587
00:35:37,447 --> 00:35:40,917
Because l felt, without Graham
it wouldn't be quite the same.

588
00:35:40,967 --> 00:35:45,199
And you could argue that it would
be quite similar or quite dissimilar.

589
00:35:45,247 --> 00:35:48,796
l thought Graham was very important,
he balanced it out very much,

590
00:35:48,847 --> 00:35:52,920
his writing, his performing
were necessary for the group.

591
00:35:52,967 --> 00:35:58,564
He meant no, no bloody way, and that is
the problem of niceness, you know.

592
00:35:58,607 --> 00:36:03,283
l don't mind if you say no,
but if you say yes meaning no

593
00:36:03,327 --> 00:36:05,602
and later on you've
gone to all this mess...

594
00:36:05,647 --> 00:36:07,365
l was pissed off with him for a bit

595
00:36:07,407 --> 00:36:09,796
but you can't remain pissed off
with Mike for very long,

596
00:36:09,847 --> 00:36:12,281
so that was sort of over.

597
00:36:12,327 --> 00:36:17,321
Once it was perfectly clear that Python
would never do anything ever again,

598
00:36:17,367 --> 00:36:20,564
publicly or live, l was able
to go out and play my own songs

599
00:36:20,607 --> 00:36:24,202
and do a bit of my own stuff
and go on the road.

600
00:36:24,247 --> 00:36:26,966
And that was great for me,
it sort of liberated me.

601
00:36:27,007 --> 00:36:29,521
l think l was the only one of the Pythons

602
00:36:29,567 --> 00:36:33,321
to actually go and see
Eric's previous show which is,

603
00:36:33,367 --> 00:36:36,200
l think it was called
Eric ldle Rips Off Monty Python.

604
00:36:37,007 --> 00:36:41,080
And he did it at the City Center
in New York.

605
00:36:41,127 --> 00:36:45,882
Eric is the best performer, in a way.
He's very, very confident on stage.

606
00:36:45,927 --> 00:36:48,964
l kept thinking, ''The comedy musical
has got to come back.''

607
00:36:49,007 --> 00:36:52,238
The musicals in those days
were all about the helicopter landing

608
00:36:52,287 --> 00:36:55,597
or a man like that,
underneath the sewers of Paris.

609
00:36:55,647 --> 00:36:58,525
And l thought,
''Well, the most agreeable form

610
00:36:58,567 --> 00:37:01,127
''is that thing where you laugh, song,
laugh, song.''

611
00:37:01,167 --> 00:37:05,206
And then, John Du Prez and l
were searching for a subject,

612
00:37:05,247 --> 00:37:09,798
and, finally, l said to John,
''You know, Holy Grail could be,

613
00:37:09,847 --> 00:37:12,919
''but there's a big problem.
l don't think they'd ever let it go.''

614
00:37:12,967 --> 00:37:14,764
l remember thinking, ''Spamalot?

615
00:37:14,807 --> 00:37:17,765
''Funny name, but what on earth
do you make out of that?''

616
00:37:17,807 --> 00:37:20,480
l don't think we were deeply interested

617
00:37:20,527 --> 00:37:24,236
because we felt it was going back.

618
00:37:24,287 --> 00:37:27,279
And then he sent some songs in
and we got more interested

619
00:37:27,327 --> 00:37:31,002
because we all adored the song
that goes like this...

620
00:37:31,047 --> 00:37:34,084
Once in every show
there comes a song like this

621
00:37:34,127 --> 00:37:36,163
Starts off soft and low, ends up with a kiss

622
00:37:36,207 --> 00:37:38,357
Where? Where?
Where is the song that goes like this?

623
00:37:38,407 --> 00:37:42,844
We all picked that one out immediately,
that was our favourite.

624
00:37:42,887 --> 00:37:46,800
And they said, ''We all find ourselves
surprisingly in agreement.

625
00:37:46,847 --> 00:37:49,805
''We love this project,
we like this thing,

626
00:37:49,847 --> 00:37:52,156
''and we would like to be involved,

627
00:37:52,207 --> 00:37:55,563
''but we think it's better
if you just do it and run with it.''

628
00:37:55,607 --> 00:38:00,044
l think we would have wanted
to make it into something new,

629
00:38:00,087 --> 00:38:01,998
then the ideas never quite occurred,

630
00:38:02,047 --> 00:38:06,199
so Eric sort of took the bull by the horns
and actually did it.

631
00:38:06,247 --> 00:38:09,683
And of course what Eric
and John Du Prez made out of it

632
00:38:09,727 --> 00:38:12,685
was something which...

633
00:38:12,727 --> 00:38:16,083
a dimension added to Python
that none of us thought was there -

634
00:38:16,127 --> 00:38:19,278
the fact it could play for two or three years
on Broadway and the West End

635
00:38:19,327 --> 00:38:23,320
and people would come in
and see us doing,

636
00:38:23,367 --> 00:38:27,804
you know, ''Ni!'' and all that sort of stuff,
and taunters and all that.

637
00:38:27,847 --> 00:38:31,283
l would think Spamalot's brought
a younger audience to Python,

638
00:38:31,327 --> 00:38:33,795
but Python's constantly repeated anyway.

639
00:38:33,847 --> 00:38:37,123
And l think in large parts of the world,

640
00:38:37,167 --> 00:38:40,125
l think a lot of young people
are aware of Monty Python.

641
00:38:40,167 --> 00:38:41,885
My kids are, for example.

642
00:38:41,927 --> 00:38:44,395
lt has something for everybody
and every age group.

643
00:38:44,447 --> 00:38:49,202
l can't think of any other
comedy series that the...

644
00:38:49,247 --> 00:38:51,158
the age group of the viewers

645
00:38:51,207 --> 00:38:55,485
is from nine up to 60,
nine years old up to 60.

646
00:38:55,527 --> 00:38:58,963
And we do, l mean we are
now on third-generation fans.

647
00:38:59,007 --> 00:39:01,157
l go to these conferences and things

648
00:39:01,207 --> 00:39:04,165
and these kids are coming up
who have just discovered Python,

649
00:39:04,207 --> 00:39:05,925
they're eight, nine years old.

650
00:39:07,367 --> 00:39:11,485
lt can still piss off your parents
or teachers or something,

651
00:39:11,527 --> 00:39:16,203
so l think maybe it's still
got a ''pissing off someone'' quality

652
00:39:16,247 --> 00:39:19,159
which is going to be
good for kids getting into it.

653
00:39:19,207 --> 00:39:20,925
They think l'm the Messiah, Mum.

654
00:39:20,967 --> 00:39:23,765
- What have you been telling them?
- Nothing, l only...

655
00:39:23,807 --> 00:39:25,320
You're only making it worse!

656
00:39:25,367 --> 00:39:27,278
Look, l can explain.

657
00:39:27,327 --> 00:39:32,162
Let me explain, Mrs Cohen.
Your son is a born leader.

658
00:39:32,207 --> 00:39:35,882
Those people out there are following him
because they believe in him.

659
00:39:35,927 --> 00:39:38,725
They believe he can give them hope,
hope of a new life,

660
00:39:38,767 --> 00:39:41,122
a new world, a better future!

661
00:39:43,527 --> 00:39:45,279
Who's that?

662
00:39:45,327 --> 00:39:47,204
That's Judith, Mum.

663
00:39:47,247 --> 00:39:48,999
Judith, Mother.

664
00:39:59,887 --> 00:40:05,086
Now you listen here, he's not the Messiah,
he's a very naughty boy.

665
00:40:05,127 --> 00:40:06,480
Now go away!

666
00:40:06,527 --> 00:40:08,245
l often think of it as being like music

667
00:40:08,287 --> 00:40:12,075
in the way that certain bands
can be seen as very influential,

668
00:40:12,127 --> 00:40:14,687
then there's one band
that will take all those influences

669
00:40:14,727 --> 00:40:16,524
and somehow be able to package it

670
00:40:16,567 --> 00:40:19,718
in a way that makes it accessible
to a much wider audience.

671
00:40:19,767 --> 00:40:22,486
Obviously, Monty Python
has tapped into something

672
00:40:22,527 --> 00:40:25,917
that's just a common denominator.

673
00:40:25,967 --> 00:40:28,800
l think just like Beatle music
tapped into something,

674
00:40:28,847 --> 00:40:31,680
it's just really difficult
to put your finger on it

675
00:40:31,727 --> 00:40:33,763
or to, you know, to label it.

676
00:40:33,807 --> 00:40:36,480
l think with something
like The Life Of Brian

677
00:40:36,527 --> 00:40:38,563
and even the sketches
in The Meaning Of Life,

678
00:40:38,607 --> 00:40:41,519
they're so well put-together
they're so well directed,

679
00:40:41,567 --> 00:40:46,880
the production values are great,
you really do get a sense of place.

680
00:40:46,927 --> 00:40:50,602
You know, in the Holy Grail
there is a kind of grime

681
00:40:50,647 --> 00:40:53,525
that sort of makes you feel
like you're in the Middle Ages.

682
00:40:53,567 --> 00:40:57,321
And l do think there's something about
the realism of those environments

683
00:40:57,367 --> 00:41:00,086
into which
all this surreal silliness occurs,

684
00:41:00,127 --> 00:41:04,678
that is one of the reasons it's so strong
and also why it lasts so well.

685
00:41:04,727 --> 00:41:07,480
He is brave Sir Robin, brave Sir Robin

686
00:41:07,527 --> 00:41:09,518
Shut up!

687
00:41:09,567 --> 00:41:12,957
Nobody really,
just...just passing through.

688
00:41:13,007 --> 00:41:13,996
What do you want?

689
00:41:14,047 --> 00:41:15,878
To fight and...

690
00:41:15,927 --> 00:41:17,326
Shut up!

691
00:41:17,367 --> 00:41:22,282
Nothing, nothing really, just to pass through,
good sir knight.

692
00:41:22,327 --> 00:41:23,760
l'm afraid not.

693
00:41:24,927 --> 00:41:27,885
Well, actually,
l am a Knight of the Round Table.

694
00:41:27,927 --> 00:41:30,236
You're a Knight of the Round Table?

695
00:41:30,287 --> 00:41:32,926
- l am.
- ln that case, l shall have to kill you.

696
00:41:32,967 --> 00:41:35,117
- Shall l?
- l don't think so.

697
00:41:35,167 --> 00:41:36,839
- What do l think?
- Kill him.

698
00:41:36,887 --> 00:41:38,923
- Let's be nice to him.
- Shut up.

699
00:41:38,967 --> 00:41:42,403
The fact that so many people
have been influenced by them

700
00:41:42,447 --> 00:41:44,802
means that through stuff
that l've written,

701
00:41:44,847 --> 00:41:49,238
and people much more talented
than me have written,

702
00:41:49,287 --> 00:41:51,596
that keeps the Python stuff relevant.

703
00:41:51,647 --> 00:41:55,356
because it is reflected
in everything we do write.

704
00:41:55,407 --> 00:41:59,764
lt's all part of the same
wonderful, creative thing.

705
00:41:59,807 --> 00:42:02,879
And when good things last,

706
00:42:02,927 --> 00:42:07,637
it reinforces your faith in human nature,
to a certain extent.

707
00:42:07,687 --> 00:42:09,962
Quality always lasts out
and l think that...

708
00:42:10,007 --> 00:42:13,636
there have been a lot of sketch shows
and a lot of sketch teams

709
00:42:13,687 --> 00:42:17,919
and there's very few of them
we'll be talking about in 40 years' time.

710
00:42:29,727 --> 00:42:31,524
Good morning, John.

711
00:42:31,567 --> 00:42:34,764
Very auspicious beginning
to your new studio.

712
00:42:34,807 --> 00:42:36,445
- Thank you.
- Fantastic.

713
00:42:38,847 --> 00:42:41,407
This was a work site a week ago.

714
00:42:41,447 --> 00:42:44,962
And now look at it,
still a work site. No.

715
00:42:45,007 --> 00:42:46,884
This is fantastic.

716
00:42:46,927 --> 00:42:49,964
You see, l promised you one day
we'd make some money.

717
00:42:50,007 --> 00:42:55,923
Thirty years l have worked
with this gentleman, man and boy.

718
00:42:55,967 --> 00:42:59,482
l've led him on several
ill-paying ventures

719
00:42:59,527 --> 00:43:01,199
and finally Spamalot...

720
00:43:01,247 --> 00:43:02,885
All the money's under the floor.

721
00:43:02,927 --> 00:43:05,521
We've been working together
for 30 years now

722
00:43:05,567 --> 00:43:09,526
and it's the perfect way to go,
because what do you do after Python?

723
00:43:09,567 --> 00:43:13,242
Well, let's make music, because
you can't compete with Python,

724
00:43:13,287 --> 00:43:16,996
writing sketches or writing films.

725
00:43:17,047 --> 00:43:21,916
lt's just a nice way to go,
writing songs and lyrics, l love doing that.

726
00:43:28,527 --> 00:43:31,963
Fuck Christmas

727
00:43:32,007 --> 00:43:35,363
lt's a waste of fucking time

728
00:43:35,407 --> 00:43:37,682
Fuck Santa

729
00:43:38,287 --> 00:43:41,882
He's just out to get your dime

730
00:43:41,927 --> 00:43:44,885
Fuck holly and fuck ivy

731
00:43:44,927 --> 00:43:48,761
And fuck all that mistletoe

732
00:43:48,807 --> 00:43:55,724
Fucking sleigh bells ringing
everywhere you fucking go

733
00:43:55,767 --> 00:44:03,162
And bloated men in shopping malls
all going ''ho-ho-ho''

734
00:44:03,207 --> 00:44:09,601
lt's fucking Christmas time again

735
00:44:10,207 --> 00:44:11,560
Are we going in here?

736
00:44:17,687 --> 00:44:19,564
We've got two seats here.

737
00:44:19,607 --> 00:44:23,680
- Well, that was a little adventure.
- That was an adventure, yes.

738
00:44:23,727 --> 00:44:25,877
At least we got rid of the film crew.

739
00:44:25,927 --> 00:44:27,724
Yeah. Oh, wait a minute...

740
00:44:29,807 --> 00:44:32,526
Oddly enough, l look back at my life
and generally speaking,

741
00:44:32,567 --> 00:44:37,083
l just, you know, use the old cliche
of never quite grown up.

742
00:44:37,127 --> 00:44:39,516
Something didn't quite happen
when it should have.

743
00:44:39,567 --> 00:44:44,083
The way your voice breaks, so should
your way of seeing the world change,

744
00:44:44,127 --> 00:44:48,086
suddenly become an adult person
and speak rather more slowly,

745
00:44:48,127 --> 00:44:52,279
take bank balances very seriously
and forms and all that sort of thing.

746
00:44:52,327 --> 00:44:53,726
We're at Aardman now.

747
00:44:57,367 --> 00:45:00,837
There is a programme for the day,
but we've got to go and...

748
00:45:00,887 --> 00:45:02,115
- We're late.
- ..see the man.

749
00:45:02,167 --> 00:45:04,362
- We delayed.
- We're late. lt's your fault.

750
00:45:04,407 --> 00:45:07,797
No, no, it's a combination of factors,
both great and small,

751
00:45:07,847 --> 00:45:10,202
have brought... Oh, come on.

752
00:45:10,247 --> 00:45:12,556
As you get older you laugh less,

753
00:45:12,607 --> 00:45:15,405
because you've heard
most of the jokes before.

754
00:45:15,447 --> 00:45:18,120
lt's very sad but it's true,

755
00:45:18,167 --> 00:45:24,003
and l find now that it's more real things
that make me laugh.

756
00:45:24,047 --> 00:45:26,117
This is the smartest operation.

757
00:45:26,167 --> 00:45:29,716
Look at the way they put
these storyboards.

758
00:45:29,767 --> 00:45:33,442
Mounted onto cardboard, flavoured slightly.

759
00:45:33,487 --> 00:45:35,796
- Yeah, it's nice.
- Tiger crab and almond.

760
00:45:35,847 --> 00:45:37,121
l think, yes.

761
00:45:37,167 --> 00:45:41,524
But to put our daughter's life
at the hands of this person.

762
00:45:41,567 --> 00:45:45,765
He's devious, he's deceitful, he's...

763
00:45:45,807 --> 00:45:49,163
he's...Rumpelstiltskin.

764
00:45:49,207 --> 00:45:52,517
Rumpelstiltskin.
So you make him Jewish, eh?

765
00:45:54,487 --> 00:45:58,082
The more difficult part
of being a 68-year-old child

766
00:45:58,127 --> 00:46:00,322
is that the world isn't as surprising

767
00:46:00,367 --> 00:46:02,927
as it is when you're
six, seven, eight years old.

768
00:46:02,967 --> 00:46:05,845
As you get older, the predictability
is more predictable.

769
00:46:05,887 --> 00:46:09,163
That's the hard part, trying to
keep yourself excited about life

770
00:46:09,207 --> 00:46:11,767
because it's so easy to
get bored with life and die,

771
00:46:11,807 --> 00:46:14,879
but somehow l've managed
to keep a bit of interest in it.

772
00:46:15,327 --> 00:46:20,447
Yeah, it's good. lt's really good.
And you don't want to...

773
00:46:20,487 --> 00:46:24,400
- You just want to be in his voice.
- Hey, OK, OK.

774
00:46:24,447 --> 00:46:25,675
Oh, fuck off.

775
00:46:25,727 --> 00:46:28,116
You always stop
in the middle of your story.

776
00:46:28,167 --> 00:46:30,886
l'm glad nobody wrote any music
for the next bit here.

777
00:46:30,927 --> 00:46:34,715
lt's a very rare occasion when there's all...
how many of us are there now?

778
00:46:34,767 --> 00:46:37,201
Five of us now, aren't there?
ln the room.

779
00:46:37,247 --> 00:46:42,241
One of the odd things about Python
was that even when Graham was alive,

780
00:46:42,287 --> 00:46:46,599
we'd meet and we'd sit around
and then somebody would say,

781
00:46:46,647 --> 00:46:49,684
''We're all here,'' and we'd say,
''Oh, yes, we are, aren't we?''

782
00:46:49,727 --> 00:46:53,322
lt was as if we were always waiting
for somebody else to arrive.

783
00:46:53,367 --> 00:46:54,595
l don't know what it was.

784
00:46:54,647 --> 00:46:57,320
We always thought
there was one other person,

785
00:46:57,367 --> 00:46:58,880
you know, somebody missing.

786
00:46:58,927 --> 00:47:01,760
Maybe it was Mr Python himself
or something.

787
00:47:02,727 --> 00:47:04,558
- That looks like Graham.
- lt is.

788
00:47:04,607 --> 00:47:06,518
The look, you know, that sort of...

789
00:47:06,567 --> 00:47:10,276
Graham Chapman when confronted
with someone he doesn't like.

790
00:47:10,327 --> 00:47:13,763
And l say, the pink hair's
just perfect for Graham.

791
00:47:13,807 --> 00:47:16,526
There's an antique quality
about Python now.

792
00:47:16,567 --> 00:47:20,799
lt's like listening to an old 78 record,
with the scratches on it,

793
00:47:20,847 --> 00:47:25,125
and it's another time, another place,
another attitude towards life.

794
00:47:25,167 --> 00:47:27,078
People say ''Let's get the Beatles together.''

795
00:47:27,127 --> 00:47:29,038
That means you
want to be young again,

796
00:47:29,087 --> 00:47:31,555
not you want the old buggers
to be back, you know.

797
00:47:31,607 --> 00:47:34,804
You just want to be young,
when the Beatles were new.

798
00:47:34,847 --> 00:47:37,566
And l think that's the same
with Python, really.

799
00:47:37,607 --> 00:47:41,156
lf we were ever going to do another series,
l said what we should do,

800
00:47:41,207 --> 00:47:43,482
because we're
not surprising any more,

801
00:47:43,527 --> 00:47:47,486
is do the first several shows
so badly, so bad,

802
00:47:47,527 --> 00:47:50,041
they're not funny,
they're just tedious.

803
00:47:50,087 --> 00:47:54,399
Getting everybody to switch off,
so after about the fourth or fifth show,

804
00:47:54,447 --> 00:47:58,201
nobody is watching Python
except two people in England.

805
00:47:58,247 --> 00:48:00,761
Then we do the best show
we'd ever done in our life

806
00:48:00,807 --> 00:48:02,638
and those people would have seen it,

807
00:48:02,687 --> 00:48:05,759
and they'll be on the streets
to explain how brilliant it was,

808
00:48:05,807 --> 00:48:08,321
and nobody would listen,
nobody would listen.

809
00:48:08,367 --> 00:48:10,756
l thought that would be the way
to do Python, finally.

810
00:48:12,247 --> 00:48:17,719
And you feel that you've had quite enough

811
00:48:17,767 --> 00:48:19,644
- Are you in A?
- Yeah.

812
00:48:19,687 --> 00:48:24,920
Just remember that you're travelling
on a planet that's evolving

813
00:48:24,967 --> 00:48:28,118
And revolving at 900 miles an hour

814
00:48:29,207 --> 00:48:33,723
And orbiting at 19 miles a second,
so it's reckoned

815
00:48:33,767 --> 00:48:37,157
The sun that is the source of all our power

816
00:48:38,007 --> 00:48:42,364
The sun and you and me
and all the stars that we can see

817
00:48:42,407 --> 00:48:45,877
Are moving at a million miles a day

818
00:48:46,727 --> 00:48:51,164
ln an outer spiral arm
at 40,000 miles an hour

819
00:48:51,207 --> 00:48:54,404
Of the galaxy we call the Milky Way

820
00:48:54,447 --> 00:48:57,519
The one thing l've learned from Python,
you never have enough yachts.

821
00:48:57,567 --> 00:49:00,286
l've got twelve
and it's just not enough.

822
00:49:00,327 --> 00:49:01,885
John's got a flotilla.

823
00:49:01,927 --> 00:49:04,885
Terry had one, but it sank.

824
00:49:04,927 --> 00:49:07,236
Eric, Eric, well,
he doesn't do yachts,

825
00:49:07,287 --> 00:49:09,323
he does huge cruise liners.

826
00:49:09,367 --> 00:49:12,359
Got four of them up in a bloody creek,
a sort of creek,

827
00:49:12,407 --> 00:49:16,559
it's just a place outside his house
where you can keep boats, you know.

828
00:49:16,607 --> 00:49:20,964
lf ever anyone took action against...
that would be Pearl Harbor,

829
00:49:21,007 --> 00:49:22,918
if they had a go at Eric's little fleet.

830
00:49:22,967 --> 00:49:25,322
But, no, you can't have enough yachts.

831
00:49:25,367 --> 00:49:27,039
..from galactic central point

832
00:49:27,087 --> 00:49:30,523
We go round every 200 million years

833
00:49:31,767 --> 00:49:36,079
And our galaxy is only
one of millions and billions

834
00:49:36,127 --> 00:49:39,437
ln this amazing and expanding universe

835
00:49:41,607 --> 00:49:43,040
And so on.

836
00:49:43,087 --> 00:49:44,679
Have the facts changed since you wrote it?

837
00:49:44,727 --> 00:49:46,763
The facts have changed.
That's interesting.

838
00:49:46,807 --> 00:49:48,001
The facts haven't changed,

839
00:49:48,047 --> 00:49:51,119
our knowledge of the facts
as we think has changed.


